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) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly such that emphasize cynical attitudes and sexual motivations.

Hollywood's classical film noir period is generally regarded as extending from the early 1940s to the late 1950s.

She accused the Disaster Artist star of pressuring her to perform a sex act on him in a car.

She told the Times: “I was talking to him, all of a sudden his penis was out.

Movies of his such as 20,000 Years in Sing Sing (1932) and Private Detective 62 (1933) are among the early Hollywood sound films arguably classifiable as noir—scholar Marc Vernet offers the latter as evidence that dating the initiation of film noir to 1940 or any other year is "arbitrary".

Expressionism-orientated filmmakers had free stylistic rein in Universal horror pictures such as Dracula (1931), The Mummy (1932)—the former photographed and the latter directed by the Berlin-trained Karl Freund—and The Black Cat (1934), directed by Austrian émigré Edgar G. The Universal horror film that comes closest to noir, in story and sensibility is The Invisible Man (1933), directed by Englishman James Whale and photographed by American Arthur Edeson.

She also claimed one actress who declined to appear topless in a scene was sent home, noting: “I got it in my head pretty quickly that, okay, you don’t say ‘no’ to this guy.” Former students spoke of an alleged unprofessional culture at Franco's now-closed acting school Studio 4, where he taught a sex scenes class.

Two women said Franco became angry while shooting a strip club scene when none of the actresses, who were masked, would go topless.

M (Fritz Lang 1931), shot only a few years before his departure from Germany, is among the first crime films of the sound era to join a characteristically noirish visual style with a noir-type plot, in which the protagonist is a criminal (as are his most successful pursuers).“I got really nervous and I said, ‘Can we do this later?’ “He was kind of nudging my head down and I just didn’t want him to hate me, so I did it.” Franco's attorney, Michael Plonsker, disputed the allegations to the Times.Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography.Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.

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